"Cassandra" is not traditional sci-fi—the grand, colorful visions of cosmic futures for humanoid beings, filled with elaborate special effects.
The Iron Giant is a film of immense emotional depth, narratively compelling, visually stunning, and directed with extraordinary passion and creativity.
Quatermass and the Pit 's plot revolves around the discovery of unusually shaped skeletons during the construction of a new London Underground station.
Delve into the world of space vampires and crystal coffins in Tobe Hooper's Lifeforce, a sci-fi horror film that challenges traditional genre boundaries.
Looker (1981) is a flawed yet prophetic sci-fi thriller by Michael Crichton, exploring CGI, media beauty standards, and technology's dark influence on society.
Companion is not a film that paints a deep psychological portrait of its characters or focuses on depicting the eternal conflict between men and women.
Meanwhile on Earth is an ambitious science fiction film with philosophical undertones that collapses under the weight of stylistic chaos and moral ambiguity.
Joe Dante’s Explorers blends family sci-fi with humor and imagination, capturing youthful dreams and miscommunication with aliens, but failed commercially.
After the world's end, a lone survivor and her worn-out robot fight to endure in post-apocalyptic Poland. The Last Spark of Hope is gripping Polish sci-fi.
I hope At the Earth's Core starring Peter Cushing becomes part of the retro science fiction canon, as it doesn’t deserve to be forgotten.