Screamboat quickly becomes a mechanical checklist of slasher set pieces. It's just another slapdash, half-baked product trying to ride the current trend.
"House of the Devil", Ti West's film (he's responsible for directing, writing, and editing) doesn't immediately turn into a satanic horror, as one might think.
Altered (2006) bears some resemblance to Warning Sign by Greydon Clark and Dreamcatcher by Lawrence Kasdan, but it has a much more interesting premise.
With such a high work rate, that’s inevitable—sometimes it’s brilliant, sometimes it’s not. Luckily, Presence belongs to the first category.
Jeepers Creepers could have been great. It has believable characters, an intriguing setup, necessary tension, and a palpable, underlying uncertainty.
The Hand That Feeds on Death was filmed simultaneously with The Mortal Lover, yet it is a significantly worse film than its "brother."
You have to admit, for a horror movie made on a $200,000 budget, Clownhouse is genuinely terrifying—though not in the typical B-movie way.
Behind the familiar backdrop of gothic horror, Bram Stoker's Dracula hides a sentimental, but not without bitterness, story of a love stronger than death.
From Beyond - a film adaptation that, in theory, had no right to succeed—yet it runs like a well-oiled machine. Almost like the Resonator itself...
Despite budget constraints, Humanoids from the Deep, directed by Barbara Peeters, is a fairly enjoyable and well-executed monster movie.
