Dead Awake isn’t even one of those “so-bad-it’s-fun” movies. There’s nothing to laugh at here—it’s pure, unbearable boredom.
Night of the Creeps is about playing with clichés, putting them side by side to see the result. Through it all runs genuine respect for cinema.
Dawn of the Dead is solid cinema that does not diminish the legacy of Romero’s classic living dead, and... Tom Savini makes a cameo.
The Crazies was intended as a satire of the military and government. The social context is key: Romero made the film shortly after the Watergate scandal...
Remove the zombies from Night of the Living Dead and we see we need them not to turn our lives into hell. Hatred and stupidity are...
The new I Know What You Did Last Summer is a tedious and grotesque experience for fans of the original. Confusing and unappealing for those unfamiliar...
And what of fear in Dead of Night? someone may ask. Fear not—it’s there. At first hidden, it gradually asserts itself, waiting for the opportune moment.
In Magic, you will not find a puppet springing from the darkness. Instead, it abounds in suspense, an atmosphere of the uncanny, carefully calibrated tension.
The house the main characters move into in You Should Have Left isn't haunted, but something is definitely wrong with it.
M3GAN 2.0 plays with its format beautifully and gives us a cast of characters we can root for. It's also a heartfelt ode to unexpected motherhood
