Anima rewards repeat viewings. Its scenes invite close attention to framing, choreography, and audiovisual details.
The Lost Boys is deeply rooted in the style of 1980s adventure horror; unrestrained entertainment, visually intriguing, and at times genuinely funny.
Lolo remains a refreshing antidote to the often disappointing output of American romantic comedies — and a reminder of Delpy’s distinctive, cinematic voice.
High Life could have been a contemporary dialogue with genre masters, an absorbing science-fiction epic, or at the very least a solid adventure drama.
Nothing in Raw will frighten you, but on the other hand it is incomparably better than yet another compilation of pathetic jump scares.
Breathe portrays a man who nearly buckled under the weight of illness, but ultimately endured — though it is Diane who emerges as the film’s true...
Bonejangles is an inside joke, created by horror fans for horror fans and should not be watched without extensive knowledge of horror cinema.
I still consider The Promise a very interesting film, even though I have plenty of reservations about it.
The Ritual brings nothing new to the table conceptually, instead betting on strong execution and the creation of a suitably oppressive atmosphere.
Jennifer’s Body remains an underrated satire with a very valuable reflection on our nature, punished for the fact that it failed to meet the expectations.
