The Haunting of Hill House is an outstanding ghost story, drawing both from the classics and from a modern reading of the haunted house motif.
Apostle maintains tension and possesses a grim energy, strengthened by occasional bursts of violence so that it does not bore for a single moment.
Ghost Stories works best as a thickly atmospheric homage offered by horror erudites — old specters do not like modernization.
Alligator is not a niche production known exclusively to connoisseurs of bad cinema. It used to staple of every self-respecting rental store’s VHS collection.
All Is True never aspired to be a definitive portrait, nor did it indulge in conspiracy theories or strive to become a reverential, textbook biopic.
In the end, Leave No Trace resonated on multiple levels. It offered a thoughtful story enhanced by understated direction and quietly stunning cinematography.
If someone does not particularly like horror films, they may go to see Thirteen Ghosts because of its excellent cast.
For thirteen-year-old Ava (Noée Abita), childhood effectively ended in an ophthalmologist’s office.
Based on true events, Lost Girls opens with a title card explaining that the perpetrator of the murders depicted have never been apprehended.
Phantom of the Paradise is a work unlike any other, and although assembled from many well-known elements, incomparable to anything else.
