Three Floors is above all a film about generations. It offers a simultaneous glimpse into every stage of growing up
Gordon & Paddy can easily evoke associations with the Winnie the Pooh films.
The Dead Don’t Die is a collection of quotations mixed in a cauldron of references and allusions. It's a postmodern pastiche and unfortunately a postmodern mush.
I Lost My Body, in its best moments, brushes up against something akin to revelation; in its weaker ones, it may puzzle with its creative choices.
The film’s refined formal side—rich in detail, color, and ornamentation—makes watching Wolfwalkers feel like leafing through a centuries-old illuminated manuscript.
The Tale of Despereaux is a story about a good king plunged into mourning after his wife dies in an unfortunate accident. It is also a...
Spies in Disguise is a satisfying directorial achievement, one that encourages viewers to root for the characters and follow Bruno and Quane’s future careers.
Soul maintains a more subdued tone. Docter’s film is more likely to put the viewer in a contemplative mood than to provoke cathartic tears.
This refined method of communication (between the film and the viewer, as well as between the characters) reaches even greater mastery in The Godfather Part II.
Missing Link sits somewhere halfway between the swashbuckling spirit of Raiders of the Lost Ark and the fantastical tone of Atlantis.