In short, The Lost Daughter is both formally accomplished and thematically compelling. It is impossible not to notice the film’s distinctly female perspective
Causeway is a drama of manners, in which an unhurried narrative is most important. Neugebauer does not speed up the stages of Lynsey's inner "sorting out".
I Came By is a thriller with a bonus - not only does it follow all the basic tenets of horror cinema conventions very well, but...
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The creator of Blockbuster, has assembled a very talented cast on the set and given them material from which an aura of "charming quirkiness" emanates.
Spending a few hours with The Woods turns out to be a highly satisfying experience. That is probably reason enough to call i a successful endeavor.
Sure, Stutz is a heavily stylized documentary that somewhat artificially addresses the idea of “truth in documentary” and tries to deconstruct the boundaries.
Pelé is a documentary for football fans and for anyone fascinated by the history of South America — as incredible as it is turbulent.
“Jung_E” looks exceptionally solid for a streaming production, both in terms of fight choreography and battle scenes, as well as basic world-building.
The Chalk Line is a very solid piece of psychological crime cinema, likely to resonate most with parents — current and future.
The strength of The Disaster Artist lies not in its freshness but in its daring recreation of the passion that accompanied the making of The Room.