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Dawid Myśliwiec

Dawid Myśliwiec

Always in "watching", "about to watch" or "just watched" mode. Once I've put my daughter to bed, I sit down in front of the screen and disappear - sometimes losing myself in some American black crime story, and sometimes just absorbing the latest Netflix movie. For the past 12 years, I have been blogging with varying intensity at MyśliwiecOgląda.pl.

THE SURFER. Nicolas Cage riding the wave

“The Surfer” is a successful film, though not necessarily original—it treads familiar paths and reaches familiar conclusions, but does...

love lies bleeding

LOVE LIES BLEEDING. Love in the Time of Bodybuilding

“Love Lies Bleeding” is a successful, claustrophobic thriller.

THAT MOST IMPORTANT THING: LOVE. Eternal unfulfillment

THAT MOST IMPORTANT THING: LOVE. Eternal unfulfillment

Watching Andrzej Żuławski’s film with the didactic title That Most Important Thing: Love, one might get the impression that all emotional...

THE BOONDOCK SAINTS. Divine messengers cleanse the city

“The Boondock Saints,” despite being 25 years old, is still a film with an edge, on one hand full of violence and dark scenes, on the...

INGRID GOES WEST. The Bitter Taste of Exhibitionism

“Ingrid Goes West” (2017) is a bittersweet portrait of contemporary young people whose worldview often does not extend beyond the...

FOE. Muted science fiction, which could use less... mutedness [REVIEW]

Foe presents its story with detachment and must be met with a similar reaction.

THE GREATEST SHOWMAN. Admiration more important than content

It is evident that the creators of “The Greatest Showman” were more interested in the execution of the story than the story itself.

OTHERLIFE. Surprisingly good small science fiction gem

OTHERLIFE. Surprisingly good small science fiction gem

“Australian science fiction” sounds quite exotic…

MANCHESTER BY THE SEA. A film that engages completely

I am not afraid to call Manchester by the Sea a masterpiece.

RUSTIN. A Template Biography of a Non-Conventional African American Hero [REVIEW]

In George C. Wolfe’s film, we get to know Bayard Rustin, who is far from the distinguished leaders of the American Black emancipation movement.