Despite the bloody horror convention—bodies pile up, and after six minutes of screening we already have two corpses—it is a work not devoid of deeper meaning.
The Visit is not only the scariest film of Shyamalan’s career (and ironically, also the funniest) but also the best frightener in years.
Del Toro loves visuals, giving them an unreal, almost dreamlike status, aided by superb set design and picturesque cinematography.
If you plan to watch one Polish film in the year that is just ending, let it be The Lure.
Krampus is, above all, entertainment cinema. It is meant to scare and amuse, which it does excellently, while also giving us a valuable lesson for the approaching...
The greatest strength of Piranha 3D is its unpretentiousness, joy and sense of humor, which is often lacking in even the most efficiently made slashers.
Thanks to distance, awareness, and having fun, the viewer also starts to have fun with the film. Screw all the Annabelle and [REC], watch Zombeavers!!!
The Babadook appears as something unusual, fresh, close to art-house cinema, yet efficiently employing horror elements.
You know that feeling when you go down to the basement, turn on the light, take a jar of jam, and then, after turning off the...
Following the model of the best horror films, terror, nightmare, and evil in Birdboy are not merely technical exercises in cultivating an oppressive mood.
