Indeed, Baskin looks like what Lucio Fulci's work might have been if the Italian director had larger budgets and better technology.
American Psycho speaks with extreme pessimism. All values are devalued, man proves to be completely helpless, and his life is strikingly trivial.
In "Star Time", the director creates a shocking portrait of a man consumed by an internal fire ignited and fueled by the media lords of souls.
The Creature from the Black Lagoon is the last creature with gothic roots that was truly original and developed entirely new elements within the horror genre.
"Humanist Vampire" is more than just an exercise in blending styles and creating atmosphere; it has a deeper meaning beneath it all.
Angst is one of the most uncompromising, original, and striking works and one of the most evocative nihilistic horror films in the genre's history.
Music is a key element of Venus in Furs—the film is almost entirely accompanied by excellent jazz, with acting sequences interspersed with performances by band.
Only Bergman could construct a film in such a way that the viewer felt a kind of existential disgust off-screen. Polanski in Only Bergman in black...
The Fearless Vampire Killers has earned the epithet "cult" in less than thirty years, becoming a kind of cinematic gem despite its commercial failure.
The Third Part of the Night is an extraordinary work, aesthetically refined, rich in meaning, continuously evoking both horror and awe. Visionary masterpiece!
