Thanks to Naughton's convincing performance, Baker's groundbreaking effects, and Landis's incredible directing talent, An American Werewolf in London leaves a profound impact.
That head-exploding scene is so iconic that it has become synonymous with Scanners, diverting attention from everything else.
Hickox in Waxwork strikes the perfect balance between horror and comedy about contemporary bourgeois individuals confronting their worst nightmares.
I wouldn't go as far as to call The Beyond surrealist, but the last strangely poetic and moving image suggests the intentions go beyond the realm...
The dark tone of The Beast Within surprises with its seriousness amid the more lighthearted horrors of that decade.
Jacek Koprowicz's Medium is considered by many to be the best and genuine horror movie made in Poland, and not without reason.
Like the internet, Videodrome is an uncontrolled media entity that expands and increasingly absorbs the human mind and body.
The Changeling is a very elegant horror film, avoiding macabre elements in favor of a mysterious atmosphere, characteristic of haunted house tales.
Mann's created images work more on the subconscious, but they are so effective that even many years after watching The Keep, they linger in the viewer's...
In Anguish (Angustia) Bigas Luna uses the horror genre to dress his observations about the nature of cinema, and indeed, the conclusion can be truly frightening