The Blair Witch Project still remains the most successful representative of the found footage horror subgenre, capable of engaging the imagination in a way many new...
"The Nun 2" may not be very scary, but it has a lot to say about women.
The Sixth Sense is a highly atypical horror film – it can grip the viewer, move them, and the moments of horror, instead of terrifying, provide...
"Bodies" is a serial adaptation of Si Spencer's comic book series.
It takes the form of a nightmare, a terrible parody of reality in which even incest seems like innocent play. Anyone who sees Society will never...
I think I've touched on the creators' key problem in Slotherhouse – they included so many elements in the film that they probably couldn't decide which...
Identity is more than a genre exercise, supported by the director's excellent craftsmanship and acting. It still impresses with its structure and atmosphere.
Lunopolis has some interesting ideas that are developed quite effectively, but the production also suffers from the usual ailments of a low-budget, amateur film.
It's precisely Argento's masterpiece Deep Red (or Profondo Rosso that represents the pinnacle of the Italian thriller subgenre.
That's the paradox of Pain Hustlers – everything is in place, everything seems to work, but the whole is somehow uninteresting and not memorable.