Odys Korczyński
For years he has been passionate about computer games, in particular RPG productions, film, medicine, religious studies, psychoanalysis, artificial intelligence, physics, bioethics, as well as audiovisual media. He considers the story of a film to be a means and a pretext to talk about human culture in general, whose cinematography is one of many splinters.
SUPER MARIO BROS. An insane trash-punk science fiction underappreciated by audiences
The “Super Mario Bros.” movie suffered from production turmoil.
MOTHERS OF PENGUINS. A Series Unlike Anything Seen Before in Poland [REVIEW]
What sets “Mothers of Penguins” apart is its lack of sentimentality—no sweetening, no melodrama about the situation of the children or...
CITADEL: HONEY BUNNY. The Russo Brothers Finally Hit the Mark [REVIEW]
The “hit” I mentioned refers to the Russo Brothers collaborating with Indian filmmakers Raj and DK for the "Citadel: Honey Bunny" series. They...
Which director is the KING of science fiction? There can be only one, but in THREE persons
I ended up with a “trinity” of masters without whom modern science fiction would not exist.
TYKHO MOON. Science Fiction about a Failed Lunar Political Experiment
“Tykho Moon” is valuable for cinema.
STEEL FRONTIER: Where a Love for "Mad Max" and Clint Eastwood Leads in Science Fiction
“Steel Frontier” is a genre cocktail that’s difficult to classify.
ALIEN FROM L.A. A crown jewel of science fiction, albeit an artificial one
“Alien from L.A.” is a flash of budget-friendly genius from Pyun
T-FORCE from the '90s: A classic sci-fi action film about CYBORGS
“T-Force” blends several genres and freely draws from the history of sci-fi and action cinema.