Individually, both samurai films engage in a dialogue with the viewer in a very effective and bold manner. Together, they become an even greater challenge.
It might have seemed that the creative possibilities for Inside Out 2 were unlimited. Read our review of Pixar's sequel to "Inside out".
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**Parthenope** is everything you love and hate about Paolo Sorrentino’s cinema. The shots are so over-aestheticized that your eyeballs begin to melt. In the background, choirs...
"Kinds of Kindness" feels like a sketch, a film exercise done in between larger projects. It can be a reflection on rejection and obedience.
"The Girl with the Needle" has a script that Lars von Trier or David Lynch would certainly find intriguing.
"The Second Act" captures the viewer's attention, because perhaps nothing works more effectively than the recurring doubt: "what are we dealing with here?"
The creators of "The First Omen" are well aware that they have achieved something decidedly more than just an homage to the legendary Omen by Richard...
"Irrational Man" unfolds on two thematic levels. On one hand, it's an intergenerational romance, on the other, an existential treatise.
Life is never boring, in fact, it keeps the audience on the edge of their seats throughout the entire viewing and film's ending is completely satisfying.
The creators strive to give The Girl on the Train depth, through the overuse of slow pace, literary dialogues, or Rachel's whispered reflections on reality.