"Model, actress, reporter, nurse - all beautiful, but for the invaders from space, they are just Breeders" - today, no one would dare to propose such...
For many an appropriate rating for Warrior of the Lost World would be a one, but seekers of kitsch and tasteful trash will be delighted.
Killer Klowns from Outer Space stands out precisely because, unlike similarly budgeted comedy-horror films, they take absurdity very seriously.
Hyperspace / Gremloids is one of those films that, depending on the perspective, can be rated as both a "one" and a "ten."
Carpenter did not reveal the epilogue of the story, and the open ending is the best possible solution. The Thing stays with you for a loooong...
The creators of Neon Maniacs boast of adopting innovative perspectives that no one dared to show in science fiction or horror films before.
The punk rock spirit is very strong here. For me, this passion and sincerity are enough to feel satisfied after watching Death Race 2050.
Spaghettiman is an original, absurd comedy, a film that is worth writing about if only to ensure that more than fifteen enthusiasts will attend the screening.
Aliens vs. Titanic is not a galactic American Pie, and despite its stunningly bad execution, it provides the entertainment we sometimes need.
Ciro Ippolito seized the opportunity, and eleven months after the premiere of Scott's groundbreaking science fiction horror, he presented Alien 2: On Earth.