Teach or Endure. About Alexander Payne's THE HOLDOVERS
In the moving finale of The Holdovers, Hunham finally begins to understand what Marcus Aurelius meant when he wrote, “People exist for each...
THE BOY AND THE HERON. The End of Ghibli [REVIEW]
Miyazaki’s work is permeated with an atmosphere of decay, a sense of an end – in terms of the created mood, it is definitely the most...
SALTBURN. A Sophisticated Game of Pretense [REVIEW]
In ‘Saltburn,’ there are extreme scenes that challenge the viewer’s perception. It’s worth facing them.
MR. MONK'S LAST CASE. The iconic detective is back – entirely unnecessarily
For every fan of the “Mr. Monk’s Last Case” series, it is, without a doubt, a significant cinematic event.
WEST SIDE STORY. Play it again, Steven
The strongest aspect of the new West Side Story remains the songs.
Ridley Scott has already made a film about Napoleon. And it's much BETTER
Whether he wanted to or not, Ridley Scott sketched a disguised portrait of the Emperor of the French in “The Duellists” – much more...
WISH. Where is your gratitude? [REVIEW]
The story of Asha is one of the most generic and uninteresting tales in Disney’s repertoire to date.
IN THE REARVIEW. Touching and Straightforward Documentary
As a historical record of the crime committed against the Ukrainian nation, such films are practically priceless.
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