Rafał Donica

Lately, we have been inundated with movies in which actors are just an addition to computer-generated extraordinary characters.

There are plenty of movies about powerful, ominous, metal cyborgs, robots, androids, and otherwise well-intentioned computers.

The movie begins, the camera’s eye shows a nighttime cityscape with sporadic live flames floating in the air.

Without The Matrix, would there be Aeon Flux?

When you don’t see your reflection in the mirror, all brakes are released.

While Kubrick was filming The Shining, he called Stephen King at 3am and asked him, “Do you believe in God…?”

Did Cooper die in a black hole? Everyone is wondering about it, Internet forums are bursting at the seams with the outbursts of homegrown quantum...

How Arnold Schwarzenegger’s chest has changed over the years for subsequent films.

Paul Verhoeven’s cult science fiction portrays screen violence naturalistically, creatively and in almost every possible way.

How did Roland Emmerich accomplish the work of destroying the world in his science fiction films?