The Post-Modern Prometheus is not an ordinary episode of this extraordinary series, it's one of the best, if not the best, episode in the history of...
The X-Files: Humbug is a hymn in praise of originality and otherness. So, here’s to the outsiders and the freak shows of this world.
The Chronicles of Riddick, although not a bad film, is quite disappointing. With all the resources they had, it could have been a milestone in sci-fi...
Zenovich in Roman Polanski: Wanted and Desired shows equal respect for both the victim and the accused. In doing so, she wins the viewer’s sympathy...
The Warrior is not an ostentatious film; its form makes us perceive it almost as a philosophical treatise on the human condition, and thus… about ourselves.
Wall Street: Money Never Sleeps is a decent film, but it lacks both the strength and the unmasking drive of the original.
Inside Man is a heist thriller at its best, choosing as its theme the archetype of a bank robbery. And the robber here is a devilishly...
From Hell tries to shed some light on the mystery of Jack the Ripper, but his motives and the complexities of his distorted psyche remain unknown.
Panic Room will remain memorable thanks to three elements worth remembering: the great opening credits, top-notch cinematography, and Jodie Foster.
Jeepers Creepers could have been great. It has believable characters, an intriguing setup, necessary tension, and a palpable, underlying uncertainty.
