I’m far from calling Knock Knock trash or a flop, as much of the internet criticism eagerly does. This is not a bad film, no matter...
Many believe The Shadow Line is the best thing to happen to British television in years. The series is a very dark, somewhat surreal, and slightly...
What lifts Venom far above typical B-movie fare is the stellar cast, and Haggard was skilled enough as a director to steer the absurd plot with...
Utopia possesses that mythical something that suggests a lot. Cult status? There’s something to it. Utopia has something that won’t let it be forgotten.
If you condensed the plot of Hurry Up Tomorrow into 4–5 minutes and imagined it as a visual accompaniment to the song, you’d have a classic...
The world of Severance is populated with strange characters, the set design is wonderfully paranoid, all of it enveloped in an impenetrable aura of mystery.
How It Ends is a Netflix production. The film was directed by David M. Rosenthal and written by Brooks McLaren. However, these are not names that...
Devs is one of the boldest productions in a long time, with the creator crafting a vast thematic fresco about humanity’s pursuit of knowledge in all...
Several elements of Phase 7 definitely deserve praise – the subdued prologue, in which the frantic crowds are merely a backdrop for the unshaken protagonists.
The Platform is a bloody game of chance, where sometimes you’re at the top, other times at the bottom, and along the way, there are many...